rosarosaerosae – la pelle delle immagini  is a multimedia story that investigates the concept of living in relation to the body and memory which resides in it. A material and graphic project which tends to create an imaginary nomadic where the metaphor of cinema is the basis of the story. Skin, protection, texture, sound, movement get confused in the repertoir of immaterial places, and are sensors of the real and, at the same time, intangible world. The research arises from the need to look for the experiential matrices that characterize the identity formation. Dance emerges gradually, costume and changing sound laandscape refer to a constant dejà-vu while the screen is the possibility for escaping onirically. The author has drawn from her visual archive, finding David Lynch, Gaston Bachelard, Balthus, Madeleine de Scudéry, Wim Wenders and has worked on it by exploring cinema, architecture, fashion. rosarosaerosae claims a feminine sense by imagining it not as much as an archetype to adhere, but a constellation of specific characteristics of each individual that partly bring us together.

● Credits

concept and choreography Sara Lupoli

performer Maria Anzivino

video sets Alessandro Papa

with the collaboration of Livia Ficara

costumes Dario Biancullo

with the participation of Daria Bonavita (project in collaboration with l’Accademia delle Belle Arti di Napoli / Zaira De Vincentiis)

sound design Giorgio Bosso

with the participation of Matteo Vinti

light design Marco Ghidelli

editing Pietro Di Francesco

company ArtGarage

co-production Théâtre des Calanques e Körper

with the support of PianoBe, Accademia delle Belle Arti di Napoli, Fabbrica Europa,
Casa del Contemporaneo, N+N Corsino, EEL a Casa Morra, FUNA.